Laura Waddington

English

Selected Books

• Survival of the Fireflies.

  Didi-Huberman, Georges. Translated by Lia Swope Mitchell. Minneapolis: University of Minnesota Press/Univocal, 2018.

• Anachronism, Survival and Filmic Fireflies.

  Smith, Alison. Georges Didi-Huberman and Film: The Politics of the Image. London: Bloomsbury Academic, 2020.

• Beyond Representation, into Life in Border.

  Marcheschi, Elena. In Videoestetiche dell’emergenza: L’immagine della crisi nella sperimentazione audiovisiva. Turin: Edizioni Kaplan, 2015. (Translated from the Italian.)

• Border: The Videographic Traces by Laura Waddington as a Cinematographic Memorial. Book Chapter.

  Kuhn, Eva. Translated by Elizabeth Tucker. In Images of Illegalized Immigration: Towards a Critical Iconology of Politics, edited by Christine Bischoff, Francesca Falk, and Sylvia Kafehsy. Bielefeld: Transcript Verlag, 2010

• Gardens of the Moon: The Modern Cine-Nocturne.

  MacDonald, Scott M. In Technology and the Garden, edited by Michael G. Lee and Kenneth I. Helphand. Washington, DC: Dumbarton Oaks Research Library and Collection, 2014.

• Artivism: Art, Politics Commitment.

  Trione, Vincenzo. Turin: Guilio Einaudi Editore, 2022. (Translated from the Italian.)

• Avant-garde Cinemas. (Brief mention.)

  Brenez, Nicole. Paris: Cahiers du Cinéma/Les Petits Cahiers, 2006. (Translated from the French.)

• Art for Coexistence: Unlearning the Way We See Migration.

  Ross, Christine. Cambridge, MA: MIT Press, 2022.

Selected Catalogue Essays

• The Pain of Seeing: The Videos of Laura Waddington.

  Khalili, Bouchra. In The 51st International Short Film Festival Oberhausen Catalogue. Oberhausen: Karl Maria Laufen, 2005.

• The Days and Years of My Travels.

  Möller, Olaf. In 41a Mostra Internazionale del Nuovo Cinema Pesaro Catalogue. Rome: Fondazione Pesaro Nuova Cinema Onlus, 2005.

• Highway, Road, Embankment, Bus: About Laura Waddington's Film Border.

  Laanemets, Mari. In Kuritöö ja Karistus/Crime and Punishment Exhibition Catalogue. Tallin: Sihtasutus Tallinna Kunstihoone Fond, 2007. (Translated from the Estonian.)

• Laura Waddington: Border.

  Trigg, Fiona. In Turbulence: The 3rd Auckland Triennial Exhibition Catalogue. Auckland: Auckland Art Gallery Toi o Tāmaki, 2007.

• Alternatives to Memories. (Excerpt about Cargo.)

  Hohlfeldt, Marion. Journal d’Exposition: Galerie Art & Essai, no. 12, Université de Rennes 2, November 2010. (Translated from the French.)

• Cargo.

  Vesters, Christel. In The 19th World Wide Video Festival Catalogue. Amsterdam: Stichting World Wide Video Centre, 2001.

• The Lost Days.

  Dols, Teddi. In The 18th World Wide Video Festival Catalogue. Amsterdam: Stichting World Wide Video Centre, 2000.

• Delfina´s Cinema, Which Was in a Hurry. (Describes collaboration with Laura Waddington in 1990s.)

  Ellero, Roberto. In Love Accessories: Delfina Marcello Catalogue, edited by Ewa Gorniak Morgan and Margherita Fabbri. Venice: Nuova Icona and Scuola Internazionale di Grafica, 2022.

Selected Articles

• The Image as Common Good: On Laura Waddington’s Border.

  Mościcki, Pawel. Translated from the Polish by Jan Szelągiewicz. View: Theories and Practices of Visual Culture, no. 14 (2016).

• Between Crossing and Darkness: Notes on (im)migrant Spectres in Border.

  Lessa Filho, Ricardo, and Frederico Vieira. Logos 52, vol. 27, no. 1 (Dossiê instabilidade e conflito das/nas imagens), PPGCOM UERJ (2020). (Translated from the Brazilian Portuguese.)

• Suspicious Images: Iconophobia and the Ethical Gaze.

  Larsson, Chari. M/C Journal, vol. 15, no. 1 (November 4, 2011).

• Sangatte: Frontier of the World.

  Sossi, Federica. Jura Gentium Cinema: Cinema and Globalization. JGcinema.com, Italy, February 2005. (Translated from the Italian.)

• Laura’s Eyes

  Nicklaus, Olivier. Les Inrockuptibles, no. 394, Paris, June 18, 2003. (Translated from the French.)

• Free Cameras.

  Azoury, Philippe. Libération, Paris, August 11, 2004. (Translated from the French.)

• Betwixt and Between: Displacement and Liminality in Laura Waddington’s Border.

  Hohlfeldt, Marion. Interventions, vol. 2, no. 1 (Borders and the Global Contemporary) (January 2013).

• #Crucial21DbW: Border directed by Laura Waddington.

  Sarmiento Hinojosa, José. Crucial 21st Century Cinema, #DirectedbyWomen website, March 15, 2019.

• Sep 2016: Border (Laura Waddington) Curator: Pedro Tavares.

  Interview with Pedro Mota Tavares about Border in the online showcase Politics & Poetry. European Foundation Joris Ivens website, 2016.

• Stirring Things Up: Flaherty Seminar.

  Yahr, Harriette. DOX Magazine, no. 80, Denmark, January 2009.

• The Serene Anger of Laura Waddington.

  Chauveau, Eric. Sud Ouest, Bordeaux, March 18, 2005.  (Translated from the French.)

• ‘Too Much Beauty: Cinematic ‘Border Crossings’ with Laura Waddington.

  Rahayel, Oliver. Film Dienst magazine, Bonn, April 28, 2005. (Translated from the German.)

• Laura Waddington: The Clandestine Camera.

  Blottière, Mathilde, and Laurent Rigoulet. Télérama, no. 2925, Paris, February 4, 2006. (Translated from the French.)

• Cargo and Short Interview with Laura Waddington.

  Wong, Ki. Cream Magazine, Hong Kong, November 2002. (Sections in English and Chinese. Translated in part from the Chinese.)

Selected Conference Papers and Theses

• Chapter 1: Low Definition and Testimonial Image: The Visual Gap as Strategy of Authentication.

  Bima, Cecilia. Visual Gaps: Low Definition for an Ethos of Bearing Witness. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020. (Translated from the Italian by Marguerite Shore.)

• Chapter 2: Zone (1995): An Exercise in Unlearning to “Re-arm the Eyes”.

  Bima, Cecilia. Visual Gaps: Low Definition for an Ethos of Bearing Witness. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020. (Translated from the Italian by Marguerite Shore.)

• Chapter 3: Cargo (2001): Distance and Gap, Places of Production of the Perceivable.

  Bima, Cecilia. Visual Gaps: Low Definition for an Ethos of Bearing Witness. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020. (Translated from the Italian by Marguerite Shore.)

• Chapter 4: Border (2002): Light, Flares and Political Subjects.

  Bima, Cecilia. Visual Gaps: Low Definition for an Ethos of Bearing Witness. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020. (Translated from the Italian by Marguerite Shore.)

• Conclusions: Three Paradigmatic Examples for an Aesthetic of Opacity.

  Bima, Cecilia. Visual Gaps: Low Definition for an Ethos of Bearing Witness. Corso di Laurea Magistrale in Arti Visive," Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020. (Translated from the Italian by Marguerite Shore.)

• Suspicious Images: Iconoclasm and the Prohibition of Representation.

  Larsson, Chari. Paper presented at Reading the Suspect: Interpretations and Aesthetics, University of Queensland, July 2010.

Selected Interviews

• Accidents of Material and Chance: A Conversation with Laura Waddington.

  Cohn, Pamela. Non-Fiction (Journal from the Open City Documentary Festival, London), no. 1 (special issue: Power), Spring 2020.

• Interview with Laura Waddington.

  Möller, Olaf. In 41a Mostra Internazionale del Nuovo Cinema Pesaro Catalogue. Rome: Fondazione Pesaro Nuova Cinema Onlus, 2005.

• “Without DV My Work Would be Unthinkable”: A Conversation with Laura Waddington. (About Cargo.)

  Kremski, Peter. In Überraschende Begegnungen der kurzen Art. Cologne: Schnitt – der Filmverlag, 2005.

• Interview: Laura Waddington.

  Walker, Saskia. Revolver, no. 17, Berlin, October 1, 2007.

• The Two Speeds Frontera: Interview with Laura Waddington.

  Del Lucchese, Filippo. Jura Gentium Cinema: Cinema and Globalization. JGcinema.com, Italy, February 2005.

• Smash the Border! A Look at Border: A Film Disconcerting in its Sensitivity. Interview with Laura Waddington.

  Eltimich, Cedric. Web Reporters, Brussels, November 25, 2004. (Translated from the French.)

• Laura Waddington: The Videomaker of Wandering.

  Mieszala, Pascal. Plan Rapproché, no. 100, Vendôme, December 3, 2005. (Translated from the French.)

Selected Video Interviews and Presentations

• Cargo and TV Interview with Laura Waddington. (Video.)

  Forst, Achim. Forty Years after the Manifesto, 3Sat TV/ZDF, Germany, May 2002.

Chinese

Selected Articles

• Cargo and Short Interview with Laura Waddington.

  Wong, Ki. Cream Magazine, Hong Kong, November 2002

French

Selected Books

• Survivance des lucioles.

  Didi-Huberman, Georges. Survivance des lucioles. Paris: Éditions de Minuit, 2009.

• Figurants.

  Didi-Huberman, Georges. In Dictionnaire mondial des images, under the direction of Laurent Gervereau. Paris: Nouveau Monde Éditions, 2006.

• Plasticités des violences politiques au début du XXIe siècle.

  Jacobs, Bidhan. In Un art documentaire: Enjeux esthétiques, politiques et éthiques, edited by Aline Caillet and Frédéric Pouillaude. Rennes: Presses Universitaires de Rennes, 2017

• Cinémas d'avant-garde. (Brève mention.)

  Brenez, Nicole. Cinémas d’avant-garde. Paris: Cahiers du Cinéma/Les Petits Cahiers, 2006.

Selected Catalogue Essays

• Les jours et les années de mes voyages.

  Möller, Olaf. In 41a Mostra Internazionale del Nuovo Cinema Pesaro Catalogue. Rome: Fondazione Pesaro Nuova Cinema Onlus, 2005.

• Alternatives to Memories. (Extrait sur Cargo.)

  Hohlfeldt, Marion. Journal d’Exposition: Galerie Art & Essai, no. 12, Université de Rennes 2, November 2010.

• Demain vous n’y penserez plus. (Extrait sur Border.)

  Hohlfeldt, Marion. Journal d’Exposition: Galerie Art & Essai, no. 10, Université de Rennes 2, April 2010.

Selected Articles

• Les yeux de Laura.

  Nicklaus, Olivier. Les Inrockuptibles, no. 394, Paris, June 18, 2003.

• Caméras libres.

  Azoury, Philippe. Libération, Paris, August 11, 2004.

• Matière de frontière / Frontière de la matière: Analyse comparative des films de Laura Waddington et Sylvain George (Épisode I).

  Belloc, Chloé. La Furia Umana, no. 9, Summer 2011. (Multilingual quarterly of theory and history of cinema.)

• Laura Waddington: La caméra clandestine.

  Blottière, Mathilde, and Laurent Rigoulet. Télérama, no. 2925, Paris, February 4, 2006

• Matière de frontière / Frontière de la matière: Analyse comparative des films de Laura Waddington et Sylvain George (Épisode Ⅱ).

  Belloc, Chloé. La Furia Umana, no. 10, Summer 2011. (Multilingual quarterly of theory and history of cinema.)

• Matière de frontière / Frontière de la matière: Analyse comparative des films de Laura Waddington et Sylvain George (Épisode Ⅲ).

  Belloc, Chloé. La Furia Umana, no. 11, Autumn 2011. (Multilingual quarterly of theory and history of cinema.)

• Border: Free Zone.

  Morelli, Thomas. Sextant (revue acoustellaire), no.1, France, December 2005.

• La sereine colère de Laura Waddington.

  Chauveau, Eric. Sud Ouest, Bordeaux, March 18, 2005.

• Border.

  Marquat, Fabrice. Bref: Le magazine du court métrage, no. 73, Paris, July–August 2006.

Selected Interviews

• Entretien avec Laura Waddington.

  Möller, Olaf. In 41a Mostra Internazionale del Nuovo Cinema Pesaro Catalogue. Rome: Fondazione Pesaro Nuova Cinema Onlus, 2005. (Translated from the English by Justine Delloye.)

• La frontière à deux vitesses.

  Filippo Del Lucchese. Jura Gentium Cinema: Cinema and Globalization. JGcinema.com. Italy, February 2005. (Translated from the English by Justine Delloye.)

• Laura Waddington: La vidéaste de l’errance.

  Mieszala, Pascal. Plan Rapproché, no. 100, Vendôme, December 3, 2005.

German

Selected Books

• Subjektivität und Selbstreflexion: Drei Formen von »Film-Ichs«.

  Kuhn, Eva. In Im Netz der Eindeutigkeiten: Unbestimmte Figuren und die Irritation von Identität, edited by Michael Andres and Natascha Frankenberg. Bielefeld: Transcript Verlag, 2013

Selected Catalogue Essays

• In Person: Laura Waddington.

  Flyer for In Person: Laura Waddington, curated by Sixpack Film at the Austrian Film Museum, edited by Brigitta Burger-Utzer. Vienna: Sixpack Film. May 2002.

Selected Articles

• „Too much beauty“: Oberhausen 2005 (I): Filmische „Grenzüberschreitungen“ mit Laura Waddington.

  Rahayel, Oliver. Film Dienst magazine, Bonn, April 28, 2005.

• Sangatte: Grenz der Welt.

  Sossi, Federica. Translated from the Italian by Jana Würfel. Jura Gentium Cinema: Cinema and Globalization. JGcinema.com, Italy, February 2005.

• Streifenweise.

  Mckechneay, Maya. Falter, Vienna, edition 20/02, May 2002.

Selected Conference Papers and Theses

• Border – ein filmisches Gedenken oder Die videografischen Spuren von Laura Waddington.

  Kuhn, Eva. Lizentiatsarbeit, Philosophisch-Historische Fakultät der Universität Basel, Kunsthistorisches Seminar, 2006. (Excerpt from the 110-page Master's thesis.)

Selected Interviews

• Interview: Laura Waddington.

  Walker, Saskia. Translated by Saskia Walker. Revolver, no. 17, Berlin, October 1, 2007.

Italian

Selected Books

• Artivismo: Arte, politica, impegno.

  Trione, Vincenzo. Turin: Guilio Einaudi Editore, 2022.

• Come le lucciole: Una politica delle sopravvivenze.

  Didi-Huberman, Georges. Turin: Bollati Boringhieri, 2010.

• Immaginazioni: Riscritture e ibridazioni fra teatro e cinema.

  Rimini, Stefania. Acireale: Bonanno Editore, 2012.

• Oltre la rappresentazione, dentro la vita in Border di Laura Waddington.

  Marcheschi, Elena. In Videoestetiche dell’emergenza: L’immagine della crisi nella sperimentazione audiovisiva. Turin: Edizioni Kaplan, 2015.

Selected Catalogue Essays

• Giorni e anni viaggio.

  Möller, Olaf. In 41a Mostra Internazionale del Nuovo Cinema Pesaro Catalogue. Rome: Fondazione Pesaro Nuova Cinema Onlus, 2005.

Selected Articles

• Frammenti di cinema resistente.

  Rimini, Stefania. La Rivista di Engramma, no. 84 (“Lucciole malgrado tutto,” special issue devoted to Georges Didi-Huberman), October 2010.

• Sangatte: Frontiera del mondo.

  Sossi, Federica. Jura Gentium Cinema: Cinema and Globalization. JGcinema.com, Italy, February 2005.

Selected Conference Papers and Theses

• Lacune visive: Premessa

  Bima, Cecilia. Lacune visive: Bassa definizione per un’etica della testimonianza. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020

• Capitolo 1: Bassa definizione e immagine testimoniale: La lacuna visiva come strategia di autenticazione.

  Bima, Cecilia. Lacune visive: Bassa definizione per un’etica della testimonianza. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020.

• Capitolo 2: Zone (1995): Un esercizio di disapprendimento per «riamare gli occhi».

  Bima, Cecilia. Lacune visive: Bassa definizione per un’etica della testimonianza. Corso di Laurea Magistrale in Arti Visive, Università Iuav di Venezia, Dipartimento di Culture del Progetto, 2019/2020.

Selected Interviews

• Intervista a Laura Waddington.

  Möller, Olaf. In 41a Mostra Internazionale del Nuovo Cinema Pesaro Catalogue. Rome: Fondazione Pesaro Nuova Cinema Onlus, 2005.

Polish

Selected Articles

• Obraz jako dobro wspólne: O filmie Border Laury Waddington.

  Mościcki, Pawel. Widok: Teorie i Praktyki Kultury Wizualnej, no. 14 (2016).

• Na granicach widzialności [On the Boundaries of the Visible].

  Mościcki, Pawel. Krytyka Polityczna [Political Critique], no. 24–25, Warsaw, 2010.

Portuguese

Selected Books

• Sobrevivência dos vaga-Iumes.

  Didi-Huberman, Georges. Belo Horizonte: Editora UFMG, 2011.

Selected Articles

• Entre travessias e escuridão: Notas sobre os espectros (i)migrantes em Border.

  Lessa Filho, Ricardo, and Frederico Vieira. Logos 52, vol. 27, no. 1 (Dossiê instabilidade e conflito das/nas imagens), PPGCom da UERJ, Rio de Janeiro (2020).

• Sobre Border de Laura Waddington.

  Gontijo Flores, Guilherme. coletivopraxis.com.br, 2018.

Spanish

Selected Articles

• Panorama: Tres cortometrajes de Laura Waddington.

  Sarmiento Hinojosa, José. Desistfilm Online Film Journal, Peru, February 22, 2019

Slovenian

Selected Articles

• Pesaro 2005 – skakanje na glavo.

  Meden, Jurij. Kinoplus, Ljubljana, 2005.