“In 1992, she landed on the set of Laura Waddington’s film The Visitor, the story of a chambermaid who photographs the traces left by a guest in the hotel room that she cleans each day: personal possessions, the first page of a diary, the cover of a French edition of Cesare Pavese’s This Business of Living [Le Métier de vivre].”
Delfina’s Cinema, Which Was in a Hurry by Roberto Ellero