Laura Waddington

Georges Didi-Huberman, Survival of the Fireflies, publ. Univocal, University of Minnesota Press, 2018 (Translated from the French by Lia Swope Mitchell).

Georges Didi-Huberman and Film: The Politics of the Image.

Alison Smith, Georges Didi-Huberman and Film: The Politics of the Image, publ. Bloomsbury Academic, UK, 2020.

Beyond Representation, Into Life in Border

Elena Marcheschi, Video-aesthetics of the emergency: The image of the crisis in audiovisual experimentation, publ. Edizioni Kaplan, Torino, Italy, 2015 (Translated from the Italian).

Art for Coexistence. Unlearning the Way We See Migration

Christine Ross, Art for Coexistence. MIT Press, US, 2022.

Artivism: Art, Politics, Commitment

Vincenzo Trione, publ. EINAUDI, Italy 2022 (Translated from the Italian).

Border: The Videographic Traces by Laura Waddington as a Cinematographic Memorial

Eva Kuhn, Images of illegalized immigration: Towards a Critical Iconology of Politics, publ. Transcript Verlag, Germany, 2010.

Gardens of the Moon : The Modern Cine-Nocturne

Scott M. MacDonald, Chapter in the book "Technology and the Garden" publ. Dumbarton Oaks, US, 2014.

Selected Articles

Laura's Eyes

Olivier Nicklaus, Les Inrockuptibles, Paris, 2003.

Free Cameras

Philippe Azoury, Libération, Paris, 2004.

The Image as Common Good: on Laura Waddington’s Border

Paweł Mościcki, Translated by Jan Szelągiewicz, “Widok. Teorie i praktyki kultury wizualnej14,” 2016 (publ. Institute of Literary Research of the Polish Academy of Sciences Institute of Polish Culture, Foundation for Visual Culture, Poland).

Between crossing and darkness: notes on (im)migrant spectres in Border

Ricardo Lessa Filho and Frederico Vieira, LOGOS 52 VOL 27 N 01 DOSSIÊ INSTABILIDADE E CONFLITO DAS/NAS IMAGENS, Brazil, 2019. (Translated from the Portuguese).

Betwixt and Between: Displacement and Liminality in Laura Waddington’s Border

Marion Hohlfeldt, Interventions Journal, Volume 02, Issue 01: Borders and the Global Contemporary January 2013, New York.

Suspicious Images: Iconophobia and the Ethical Gaze

Chari Larsson, M/C Journal, Vol. 15, No. 1 (2012) - 'suspicion', Australia.

Sangatte Frontier of The World

Federica Sossi, JGCinema.org, Italy 2005.

Laura Waddington: The Clandestine Camera

Mathilde Blottière, Télérama, France, 2006.

#Crucial21DbW: Border

José Sarmiento Hinojosa, Crucial 21st Century Cinema #DirectedbyWomen, www.directedbywomen.com.

The Serene Anger of Laura Waddington

Eric Chauveau, Sud Ouest, France, 2005.

Stirring Things Up: The 2008 Flaherty Seminar (Extract)

Harriette Yahr, DOX Documentary Film Magazine Issue No.80, Denmark, january 2009.

Selected Catalogue Essays

The Days and Years of My Travels

Olaf Möller, The 51st Pesaro Film Festival Catalogue, 2005.

The Pain of Seeing: The Videos of Laura Waddington

Bouchra Khalili, The 51st Oberhausen Short Film Festival Catalogue, 2005.

Highway, Road, Bus, Embankment. About Laura Waddington's Film Border

Mari Laanemets, Crime and Punishment, Kunsthalle Tallinn, Estonia, 2007.

Laura Waddington, Border

Fiona Trigg, Turbulence, The 3rd Auckland Triennial Catalogue, 2007.

Interview with curator Pedro Mota Tavares about Border

Pedro Mota Tavares, Interview with curator Pedro Mota Tavares about Border, for the site Politics & Poetry, European Foundation Joris Ivens, Netherlands, 2016.

CARGO

Christel Vesters, WWVF Catalogue, Amsterdam, 2001.

The Lost Days

Teddi Dols, WWVF Catalogue, Amsterdam, 2000.

Selected Conference Papers and Theses

VISUAL GAPS. LOW DEFINITION FOR AN ETHICS OF BEARING WITNESS I. Low Definition and Testimonial Image : The Visual Gap as Strategy of Authentication

Cecilia Bima, Università Iuav di Venezia Corso di Laurea Magistrale in Arti Visive Dipartimento di Culture del Progetto 2019/2020.

VISUAL GAPS. LOW DEFINITION FOR AN ETHICS OF BEARING WITNESS II. ZONE (1995): An Exercise in Unlearning to "Re-arm the Eyes"

Cecilia Bima, Università Iuav di Venezia Corso di Laurea Magistrale in Arti Visive Dipartimento di Culture del Progetto 2019/2020..

VISUAL GAPS. LOW DEFINITION FOR AN ETHICS OF BEARING WITNESS III. CARGO (2001): Distance and Gap, Places of Production of the Perceivable

Cecilia Bima, Università Iuav di Venezia Corso di Laurea Magistrale in Arti Visive Dipartimento di Culture del Progetto 2019/2020.

VISUAL GAPS. LOW DEFINITION FOR AN ETHICS OF BEARING WITNESS IV. BORDER (2002): Light, Flares and Political Subjects

By Cecilia Bima, Università Iuav di Venezia Corso di Laurea Magistrale in Arti Visive Dipartimento di Culture del Progetto 2019/2020..

VISUAL GAPS. LOW DEFINITION FOR AN ETHICS OF BEARING WITNESS. Conclusions: Three Paradigmatic Examples For an Aesthetic of Opacity

Cecilia Bima, Università Iuav di Venezia Corso di Laurea Magistrale in Arti Visive Dipartimento di Culture del Progetto 2019/2020...

Suspicious Images: Iconoclasm and the Prohibition of Representation

Chari Larsson, For the Conference "Reading the Suspect: Interpretation and Aesthetics" University of Queensland, Australia 2010.

Border: The Videographic Traces by Laura Waddington as a Cinematographic Memorial

Eva Kuhn, "Images of Illegalized Immigration" Basel University, Switzerland 2009.

French

Selected Interviews

Entretien avec Laura Waddingon

Olaf Möller, The 51st Pesaro Film Festival Catalogue, 2005.

La Frontière à Deux Vitesses

Filippo Del Lucchese, JGCinema.org, Italy, 2005.

Laura Waddington: La Vidéaste de l’errance

Pascal Mieszala, Plan Rapproché, 2005.

Selected Book Extracts

Survivance des Lucioles

Georges Didi-Huberman, Les Éditions de Minuit, Paris, 2009.

Figurants

Georges Didi-Huberman, Dictionnaire Mondial des Images, Nouveau Monde Editions, Paris 2006.

Plasticités des violences politiques au début du XXIe siècle

Bidhan Jacobs, « Un Art documentaire : enjeux esthétiques, politiques et éthiques » (sous la direction de Aline Caillet et Frédéric Pouillaude) Aesthetica, Presses Universitaires de Rennes, France 2017.

Selected Articles

Les Yeux de Laura

Olivier Nicklaus, Les Inrockuptibles, Paris, 2003.

Caméras Libres

Philippe Azoury, Libération, Paris, 2004.

Laura Waddington: La caméra clandestine

Mathilde Blottière, Télérama, 2006.

Border

Fabrice Marquat, Bref – le magazine du court métrage, 2006.

Matière de Frontière / Frontière de la Matière - Border de Laura Waddington et No Border de Sylvain George. Episode I

Chloe Belloc, La Furia Umana, n° 9, summer 2011.

Matière de Frontière / Frontière de la Matière - Border de Laura Waddington et No Border de Sylvain George. Episode 2

Chloe Belloc, La Furia Umana, n° 10, autumn 2011.

Matière de Frontière / Frontière de la Matière - Border de Laura Waddington et No Border de Sylvain George. Episode 3

Chloe Belloc, La Furia Umana, n° 11, winter 2012.

La Sereine Colère de Laura Waddington

Eric Chauveau, Sud Ouest, France, 2005.

Selected Catalogue Essays

Les Jours et Les Années de Mes Voyages

Olaf Möller, The 51st Pesaro Film Festival Catalogue, 2005.

Demain Vous n'y Penserez Plus

Marion Hohlfeldt, Extract from the Catalogue Essay 2010.

Border

Antoni Collet, Manéci, Le Journal des Ecrans Documentaires 1, France, Novembre 2005.

Selected Conference Papers and Theses

Border/No Border. A la croisée de deux regards

Chloé Belloc, Extratis de Memoire 2010.

German

Selected Interviews

Interview: Laura Waddington

Saskia Walker, Revolver - Heft 17, 2007, Berlin, www.revolver-film.de.

Selected Book Extracts

Subjektivität und Selbstreflexion; Drei Formen von »Film-Ichs«

Eva Kuhn, Subjektivität und Selbstreflexion; Drei Formen von »Film-Ichs« Eva Kuhn “Im Netz der Eindeutigkeiten: Unbestimmte Figuren und die Irritation von Identität” publ. Transcript Verlag, Bielefeld, Germany.